We’re back again to take a look at the highlights of a gaming showcase. This time, we turn our attention to Gamescom, the gaming trade show in Germany whose “ Opening Night Live ” presentation happens to be hosted by Geoff Keighley . Can’t so much as walk five paces without bumping into a show that that man is hosting. Anyway, same principle as before - just the good-looking and interesting projects, keeping the pessimism and negativity to a minimum. Bubsy 4D Developed by: Fabraz Someone made the call to stick this in the pre-show before the main presentation, and that’s baffling to me because it’s one of the most interesting nostalgia revivals I’ve seen in a while. Immediate takeaway: Fabraz seems to be leaning hard on self-aware and self-deprecating comedy here. An understandable creative choice, given both Bubsy’s wisecracking persona and the series’ charms having been overshadowed for three decades by this game’s infamous predecessor Bubsy 3D. The jokes in the trailer are amusi...
Today I’m debuting our first of several on-going segments - A Look Back, where I… well, take a look back, duh. Specifically, we’re gonna be discussing Call of Duty 4: Modern Warfare. For starters let’s get into what kind of world we were living in when Modern Warfare exploded onto the scene. We were four years into the War on Terror, and six years out from 9/11. Two world changing events whose ramifications and influence crept their way into every aspect of culture - film, television, literature, comic books, and yes, VIDEO GAMES. War and its particular brand of brutal violence became a sort of norm, rather than a niche interest, in the world of gaming. You couldn’t throw a stone five inches without hitting a game about MASCULINE, OLD FASHIONED AMERICAN MEN FIGHTIN’ THE GOOD FIGHT AGAINST THE FOREIGN AGENDA. Even if the games weren’t necessarily set on Earth or fixated on stereotypical images of terrorists, the imagery and themes on display - ranging from widesprea...