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What Was Worth A Damn About Summer Game Fest 2026?

Yeah, it’s Keighley o’clock again. I won’t do the whole spiel about Geoff Keighley or the games presentations associated with him - they’re vapid, bloated productions run by gaming PR’s favourite host, but you know that already (OR you know that now). Other folks have better, more entertaining material poking fun at the whole farce of the thing, whereas my aim is simply to find the potential gems amid the middling fare. This year’s Summer Game Fest was definitely among the more underwhelming and anemic in my experience, but I still managed to find some noteworthy titles, my reactions to which I have presented below. Have a look and see if anything strikes your fancy. Star Wars: Zero Company Developed by Bit Company and Respawn Entertainment Published by Electronic Arts Releasing August 27, 2026 for Windows PC, PS5 and Xbox Series X/S. The initial reveal for this game gave a strong impression that the central idea for this game was “What if XCOM, but with Star Wars stuff?” What they sh...

What Was Worth a Damn About Sony's June 2025 State of Play?

It's been a minute, hasn't it? Like clockwork, Sony showed up in this, the season of What Was Once E3 Time, to offer up a selection of trailers and teases of forthcoming video games. And like clockwork, I am here to pick through their offerings to find that which is worth monitoring in the coming months. This will not be an overview of the whole presentation (it was fine, mostly trailers with a bit of developer and producer commentary to bridge the spaces between, nothing outside the box), nor will it be an excuse to bash certain games, individuals or studios. We're just taking a look at the titles that stood out as compelling, interesting or both - and yes , I am pulling from my Bluesky notes here, because I can . Romeo is a Deadman Developed by: Grasshopper Manufacture Looks like a hack-and-slash game (of that "character action" variety) pulling from a few different directions - multiple animation styles employed, a mix of body-horror and sci-fi to the overall ...

The Post-E3 Games Showcase Era, Summer 2024 Highlights: Part I

In the ashes of the Electronic Entertainment Expo, amid the bloat and pretense of the games industry, always must there be a presentation... always must there be game trailers... and always must there be those who commentate. So it is we find ourselves in the aftermath of this year's collected summer showcases, a cavalcade of announcements and information to parse in its wake. For my part, I set forth to once again note the games (and, occasionally, people or moments) that stood out - for good or ill. Today, we tackle that which was displayed at Sony's State of Play, the OTK Games Expo, and the Summer Game Fest... Sony State of Play The High Point: Astro Bot Is it nakedly playing off of lingering nostalgia for various Sony properties, current and forgotten? Yes.  Is it unmistakably taking cues from other more successful platformer series? Absolutely. Nevertheless, the team at Sony seem to have nailed the charm when it comes to their robot mascot, which is half the battle for cr...

THOUGHTS ON... The PS5 Conference, September 16

Fifty minutes or so, out of a live stream that went on for over two hours. Yeah, sure, there's been more strenuous ways to justify churning out several hundred words about an assortment of game previews. (The 1hr5 mark, for those looking to cut to the chase.) FINAL FANTASY XVI I am entirely convinced from this trailer that the background for this game's development was that someone at Square got really into Game of Thrones a decade ago (oh god...) and made the connection that it could work for Final Fantasy . I certainly buy that it'd take them approximately that long to move this game down the development pipeline, both because game dev is a messy and uncertain process and because Square Enix. That said, as "Japanese takes on moderately-grim Europeon medieval fantasy" go, this doesn't look half bad. XVI seems to be carrying over the quasi-real time combat system that worked for Final Fantasy XV , and the choice of high-fantasy aesthetic and setting after seve...

Talking 'Bout E3

Ah, the Electronic Entertainment Expo, the game industry's yearly tradition of indulgence in lengthy conferences, flashy trailers that might not be representative of the final games, and awkward pauses... lots of awkward pauses. If nothing else, it gives Internet writers like yours truly the opportunity to snark and gape in equal measure, while cherishing those rare moments where something genuinely good happens. I'm going to take a slightly different approach than my peers, though - rather than handing out "Best X" awards to specific games or talking about each conference in turn, we're instead going to celebrate the highs and lows of E3 as a whole ... byyyyyyyyy handing out "Best" and "Worst" awards. Same difference. BEST PRESENTER Winner: Janina Gavankar Electronic Arts' conference was defined in large part by discomfort and lack of effort. If the fixation on EA's new Game Changers  program didn't strike you as we...