Even without knowing the term "isekai", you have probably at some point encountered a story or piece of media that follows its basic framework. A Japanese term meaning "another world", isekai stories deal with the notion of being adrift in a setting quite unlike one's own; they follow protagonists who are ripped away from a world much like ours and dropped into an unfamiliar place or time. Be it Edgar Rice Burroughs's depiction of Mars as a futuristic kingdom in the Barsoom books or the fantastical realm of Oz, the specifics matter less than the intent - to challenge the protagonist's preconceived notions and lead them to personal growth in the face of unexpected conflict. I lay all of this out for you because I think the intent with Heir to the Queen, a small-scale adventure game, was to hit the basic points of the isekai journey under the constraints of a threadbare budget and no larger media presence. That's speculation on my part, though, sinc...
Sometimes, in the business of critiquing games, there comes a moment where you have to ask yourself if your expectations of the creators behind projects are too high. Are you holding people, and their work, to too great a standard? Would you be strong enough, focused enough, bold enough to make the choices that lead to this game existing in the first place? Can you really say that, in their position, you’d do better than they ever could? I think about all of that, and then games like GORDY fall into my lap to remind me that having standards is important too. Sometimes, games are hollow, ambling, and slapdash in their construction - being able to acknowledge those failings and examine them in detail helps us understand and celebrate how other games prevail where this particular experience fell short. And if there’s one thing to be said in GORDY ’s favour, it’s that it isn't lacking for teachable moments, however much I may wish it did. Developed and published by MyGrandfather Games...